On this week’s show, Jamie, Rob, and Jennifer are joined by Tony and Academy Award nominated star of stage and screen, Barbara Barrie, who originated the role of Sarah in Stephen Sondheim and George Furth’s landmark musical “Company” in 1970.  We discuss that iconic show, including her experience working with Harold Prince and Elaine Stritch, and the legendary eighteen hour recording session of the original cast album. Later on, Rob gives more background on the famous documentary about that recording session. 

This week’s music: “The Little Things You Do Together”, “Barcelona”, “Getting Married Today”, “Poor Baby”, “Company”, “Side By Side”, “Finale”, all from “Company”.

This week, Jamie and Rob sit down with self-proclaimed “theater nerd” Ted Chapin, whose knowledge and love of the theater extends well beyond his over 30 year career at The Rodgers & Hammerstein Organization, the licensing agency, rental library, and music publishing company that oversees the R&H catalogue, and countless others, including Irving Berlin, Lin-Manuel Miranda, and more. We talk about Ted’s career at R&H, his favorite of their shows, and, of course, his incredible book, “Everything Was Possible”, an account of his time working on the original production of Follies.

This week’s music: The King and I ‘s“Finale to Act 1,” Lincoln Center Theater’s South Pacific, City Center Encore’s production of Pipe Dream “Overture” and “Sweet Thursday,” Liz Callaway singing “The Gentlemen Is A Dope” from Allegro and Alexis Smith singing “Could I Leave You” from Follies.